At the outset of the digital age of photography, many creatives were critical of what was more commonly referred to as photo ‘manipulation’ – a word that carried many negative connotations in its own right. Some hardened film devotees may have seen post-processing as cheating, merely because of how much quicker it was to apply effects at the computer, compared with the equivalent darkroom processes.
However, today, photo editing is far more widely accepted as an art form in itself, with many top professionals and social media influencers fully integrating it into their role as content creators. As with all artistic genres, trends in photography change rapidly, fuelled by the continued growth of social media. Some of these changes are seismic shifts but, often, styles are an evolution of an existing look, amended to incorporate the latest editing software features and cultural inspirations.
In this final part of our successful Masterclass Series, which has aimed to re-establish the current core techniques that every aspiring photographer should be equipped with today, Lauren Scott provides three essential editing techniques. Each of these covers the baseline tools and tricks for making successful edits and applying the current styles – from fundamental compositing skills using layer work to advanced colour customisation and monochrome conversion.
Leak it like a Lomographer
Sun flares and light leaks are in right now. Here's how to achieve the effect in Photoshop without overdoing it
هذه القصة مأخوذة من طبعة Issue 273 من Digital Photographer.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Issue 273 من Digital Photographer.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents