MASTER MONOC
Digital Photographer|Issue 279
Discover the captivating qualities of black-and-white photography and learn how to master the genre in the age of digital technology
Kim Bunermann
MASTER MONOC

Choose your kit

Learn how your equipment influences the quality of B&W images

When it comes to monochrome tones, choosing the right photography kit makes a huge difference in the quality of your shots. In this photographic genre, tonal range, sharpness, clarity and image noise are all key factors to consider.

If budget isn't an issue, specialist cameras such as Leica's Monochrome series are the way to go. These are specifically designed for black-and-white photography and are favoured by some professional photographers, including Alan Schaller. Models such as the Q2 don't require the use of colour filters or interpolation so that only the pure luminosity (light levels) are captured, which results in sharper and more detailed photographs.

High-resolution sensors are vital for producing high-quality monochrome shots and Leica's M10 features an impressive 40-megapixel sensor. Whereas these monochrome-only cameras can come with a big price tag, the increased dynamic range is outstanding.

However, creating successful black-and-white photography does not necessarily require breaking the bank. The newest and most up-to-date equipment can make things easier but is not a requirement. The art is to make the most of the equipment you have, know how to handle it and invest wisely in a few accessories to help you.

Most digital cameras offer black-and-white shooting modes or film simulations that support you in capturing atmospheric shots. Generally speaking, a high-resolution sensor is beneficial. Additionally, you should ideally work with a camera that can handle noise well, as this is often amplified in black-and-white shots. Thankfully, most modern DSLRs and mirrorless cameras perform well in this area. It's important to know the extent to which your camera can deliver good results when working with high ISO values. This can be easily tested so that you are aware of the limits.

هذه القصة مأخوذة من طبعة Issue 279 من Digital Photographer.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة Issue 279 من Digital Photographer.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

المزيد من القصص من DIGITAL PHOTOGRAPHER مشاهدة الكل
Sigma 28-105mm f/2.8 Art
Digital Photographer

Sigma 28-105mm f/2.8 Art

This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive

time-read
1 min  |
Issue 285
AstrHori 120mm f/2.8 Macro 2x
Digital Photographer

AstrHori 120mm f/2.8 Macro 2x

Matthew Richards finds out if double the magnification means couble the value

time-read
1 min  |
Issue 285
DxO PhotoLab 8 Elite
Digital Photographer

DxO PhotoLab 8 Elite

DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?

time-read
3 mins  |
Issue 285
Panasonic Lumix GH7
Digital Photographer

Panasonic Lumix GH7

Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat

time-read
3 mins  |
Issue 285
STORM CHASE
Digital Photographer

STORM CHASE

Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms

time-read
5 mins  |
Issue 285
PROTECT YOUR IMAGES FROM AI
Digital Photographer

PROTECT YOUR IMAGES FROM AI

Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission

time-read
4 mins  |
Issue 285
CREATE AI COMPOSITES
Digital Photographer

CREATE AI COMPOSITES

Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds

time-read
3 mins  |
Issue 285
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Digital Photographer

Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS

Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom

time-read
10+ mins  |
Issue 285
MASTER MINIMALISM
Digital Photographer

MASTER MINIMALISM

Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work

time-read
6 mins  |
Issue 285
LITTLE WONDERS
Digital Photographer

LITTLE WONDERS

Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents

time-read
8 mins  |
Issue 285