Four years ago, I followed a vague tip-off that led to me capturing an unprecedented series of photographs of a black leopard in Africa. It was an incredible scoop that resulted in worldwide media attention. The ethos that led me to invest in such a speculative, low-odds endeavour was the same as the one I described in last month’s column, which looked at how taking the greatest risks can often yield the best results. In this column, however, I will concentrate on what I did thereafter…
When you capture the shot of your dreams, it is tempting to draw a line under the project and move on to your next big idea. For me though, capturing that first ‘great’ image is the point at which a project really begins.
هذه القصة مأخوذة من طبعة Issue 264 من Digital Photographer.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Issue 264 من Digital Photographer.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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This lens offers everything from wide-angle to super-telephoto reach, says Matthew Richards
Novo Helix T50 Carbon Fibre Tripod
Adam Waring discovers an unfeasibly small yet feature-packed travel tripod
OM System OM-1 Mark II
James Artaius finds the OM-1 Mark II has features that you wish your camera did
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Jules Renahan, owner of Jules Renahan Photography and co-founder of PhotoHound, tells us what to expect when photographing events
Career advice
This issue, Claire Gillo looks at the logistics behind running a photography business and talks to an events photographer
My dream photo kit
With help from used camera gear specialists MPB, we've created an expert photographer's fantasy camera kitbag
Create wet plate portraits
Recreate the collodion process for enhanced detail
Fine-tune colour and saturation
Use Lightroom's extensive controls to enhance individual colours in your shots