Use your drone like a flying tripod
Digital Photographer|Issue 257
Capture low-level aerial images to open up otherwise inaccessible locations
Use your drone like a flying tripod

Drone photography has certainly – excuse the pun – taken off in recent years. Thanks to increasingly easy-to-fly models offering exceptional image quality in a highly portable package, more and more photographers are turning to drones to capture unique views of the world around us.

The ability to fly a camera up to 120m above any terrain, including water, opens up a wealth of creative opportunities. But with this ability to shoot large and wide vistas, it’s all too easy to forget about the subtleties of the landscape. When it comes to drone photography, less can often be much more.

While there’s nothing wrong with shooting from high altitudes, and indeed, some locations require this approach, others might benefit from being shot from an altitude a little over head height, between two and ten metres. The advantage here is that you can shoot from locations that are otherwise inaccessible on foot, such as over water, dangerous rocks or marshland, but the resulting images don’t necessarily scream out ‘drone shot’.

Viewers will see that something different is going on in the frame, but it might not be immediately obvious that a drone was used, making for a much more engaging photograph.

What you’ll need

Flyer and operator IDs (from the CAA)

Drone and controller

Landing mat

Smartphone

Adobe Lightroom

Shooting steps

هذه القصة مأخوذة من طبعة Issue 257 من Digital Photographer.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة Issue 257 من Digital Photographer.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

المزيد من القصص من DIGITAL PHOTOGRAPHER مشاهدة الكل
THE LIFE OF AN INFLUENCER
Digital Photographer

THE LIFE OF AN INFLUENCER

Instagram star Mike Will demystifies what it means to be an influencer and how it can become a sustainable career for a photographer

time-read
5 mins  |
Issue 288
Sony AI ||
Digital Photographer

Sony AI ||

Gareth Bevan wonders whether new AF tech is a sufficient upgrade

time-read
4 mins  |
Issue 288
Photo CV
Digital Photographer

Photo CV

We profile an expert photographer's career journey for insight on becoming established in the industry

time-read
2 mins  |
Issue 288
BENDING LIGHT
Digital Photographer

BENDING LIGHT

Eric Meola discusses his love affair with the power of colour across his illustrious, decades-long career in photography

time-read
5 mins  |
Issue 288
STORY BEHIND THE STILL
Digital Photographer

STORY BEHIND THE STILL

\"I'm drawn to conservation photography because it combines the art of nature photography with a problem-solving approach. By capturing the beauty of the natural world, I aim to highlight pressing environmental issues and inspire action to protect our planet.

time-read
1 min  |
Issue 288
GEAR OF THE YEAR
Digital Photographer

GEAR OF THE YEAR

Your guide to the best, most exciting and most innovative photographic kit of 2024

time-read
10+ mins  |
Issue 288
FRAMING FACES
Digital Photographer

FRAMING FACES

Master this genre with expert advice on how to set the spotlight on your subject through basic and creative photographic techniques

time-read
10+ mins  |
Issue 288
ON1 Photo RAW 2025
Digital Photographer

ON1 Photo RAW 2025

Does headline-grabbing AI tech make this a worthy purchase? Rod Lawton finds out

time-read
3 mins  |
Issue 288
SAMYANG LAUNCHES ITS FIRST CANON RF-S LENS - AND A NEW PRIMA SERIES
Digital Photographer

SAMYANG LAUNCHES ITS FIRST CANON RF-S LENS - AND A NEW PRIMA SERIES

In a landmark occasion for Samyang, the South Korean company presents its new Prima range - and first autofocus lens for Canon RF

time-read
1 min  |
Issue 288
10 TECHNIQUES FOR BETTER LANDSCARES
Digital Photographer

10 TECHNIQUES FOR BETTER LANDSCARES

Expand your skills to take your landscape photos to the next level

time-read
4 mins  |
Issue 288