There are numerous of reasons to go to the beach, but flinging around a disco light in the dark is probably among the more unusual pastimes. However, while it might get you a few funny looks, it can lead to wonderfully vibrant photos. In this project we’ll look at how to create stunning long-exposure light paintings with a combination of shooting and Photoshop skills. This process begins with an after-dark shoot, during which we swing a torch or other suitable light source around to create swirling patterns. The beach setting isn’t essential – it can be done in your back garden, a darkened room or any dim setting. But to add extra sparkle to our light painting we headed to the coast and splashed around in the shallows with our colourful light. This way, we can capture lovely flashes of colour reflected in the water.
When swirling a torch around in the dark over the course of a three-second exposure, it can be tricky to predict how the finished light painting will turn out, especially if you have a face full of sea water. But one of the great things about light painting is how easy it is to combine several shots into one eye-catching whole with simple layer blending skills in Photoshop. If we want to take it further, we can warp and reshape the colourful flowing lines into any shape we like. We’ve chosen to create an abstract water lily flower here, but you can use the same skills to make any shape you choose.
Light painting at the beach
SWING AND SPLASH A LIGHT SOURCE IN THE SHALLOWS AFTER SUNDOWN TO CREATE COLOURFUL LIGHT TRAILS
1 Shoot at the beach
هذه القصة مأخوذة من طبعة April 2023 من N-Photo: the Nikon magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة April 2023 من N-Photo: the Nikon magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body