GIVEN THAT 71% OF THE EARTH’S surface is water-covered – and, as you’ve doubtless heard, that figure is rising – it seems inconceivable that 80% of the ocean is “unmapped, unobserved, and unexplored”, according to the National Ocean Service.
It’s an oft-repeated fact that we know more about the surface of the Moon and Mars than the deep seafloor. Marine biologist Paul Snelgrove, University Research Professor at the Department of Ocean Sciences and Biology Department of Memorial University of Newfoundland, tells SFX: “The joy of deep-sea exploration is not the possibility of new weird and wonderful species, but the certainty of it. It represents Earth’s largest frontier for discovery.”
So what fantastical creatures reside there? What we know of the truth – in the case of the giant spider crab, the pacific viperfish and the vampire squid, at least – is quite literally stranger than fiction…
Cue Underwater: a new blockbuster starring Kristen Stewart that could prove the missing link between her shallow popcorn fare (Charlie’s Angels, the Twilight franchise) and deeper, more daring left field work (Personal Shopper is the best supernatural psychological thriller you’ve probably never heard of).
With an estimated budget of $65 million, Underwater is the third film from director William Eubank – a “survival thriller mixed with a bit of horror” is how he puts it – after smaller-scale sci-fiindies Love (2011) and The Signal (2014).
“There’s nothing more exciting than thinking, what could be out there?” he tells SFX (on his birthday!) from Hollywood over a crackly phone line, conjuring images of him holed up in a dark research station some 5,000 miles from land, seven miles below the ocean’s surface, just like the characters in the film.
This story is from the January 2020 edition of SFX.
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This story is from the January 2020 edition of SFX.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS