I LOVE SOUVENIRS,&rdquo; CONFESSES THE LONDON ARTIST AND designer Luke Edward Hall, referring to a ceramic ashtray with charmingly naive painted glaze that marks it as a memento of the Palazzo Principe. &ldquo;I collect a lot of vintage hotel ashtrays. . .but I often do fake hotel souvenirs.&rdquo; Indeed, this ceramic piece was decorated by Hall himself to commemorate a hotel that exists only in his imagination (though he did do a collection for an actual hotel, Positano&rsquo;s famed Le Sirenuse).A sense of playfulness is quite typical of Hall&rsquo;s work, which frequently returns to the relaxed sensibilities of the Mediterranean. His drawings and paintings are reminiscent of the work of Jean Cocteau in both their classical themes and fluidity of draftsmanship, while simultaneously retaining a refreshingly unpretentious joie de vivre. &ldquo;Travel inspires my work,&rdquo; he says. &ldquo;And I suppose that does tie in with the south of France, Cocteau, and Matisse, and all that.&rdquo;In recent years, Hall has become a familiar face on the London design scene&mdash;think a grown-up Harry Potter with hair by Egon Schiele. He has worked on Burberry campaigns and designed a collection of pillows and wall hangings for the Rug Company, and is currently working on his first book, a &ldquo;scrapbook-y&rdquo; career retrospective to be published by teNeues next fall. And he accomplished all of that before reaching his 30th birthday.<img src="https://magarticles.magzter.com/articles/2242/348908/5ce686b6631c6/1558611573951.jpg"" owidth=732 oheight=969" style="height:700px; width:529px" />But like the seafaring hero of a classical epic, he arrived at his destination by a somewhat circuitous route. After studying menswear fashion design at London&rsquo;s Central Saint Martins, he went to work for the architect Ben Pentreath, whose love of vivid color and classical motifs he shares, before setting up his own studio.Hall&rsquo;s three-room Victorian apartment in the north London borough of Camden, a continual work in progress where he lives with his partner, Duncan Campbell, combines the disparate elements of his design odyssey. It has the informed refinement of a classic English interior by David Hicks or Sibyl Colefax, yet is unashamedly maximalist, with a leopard-patterned carpet, marbled wallpaper, and a zingy Bloomsbury-inspired palette throughout.And again, there are the touches of antiquity: sketched Apollonian profiles, a lampshade with a hand-drawn Greek-key border, and, in his nearby studio, fluted columns in bold hues. It&rsquo;s unsurprising, then, that ancient Mediterranean civilizations are also an important element of his new collection for the Florentine ceramics maker Richard Ginori. The porcelain wares are decorated with images of sea chariots, crowned deities, and shells, all rendered in Hall&rsquo;s characteristically loose-limbed graphic style. &ldquo;I wanted to base the collection around the sea,&rdquo; Hall explains, &ldquo;and then thought it would be fun to bring in Roman references. It&rsquo;s called Neptune&rsquo;s Voyage.&rdquo;Once more, the blend of travel and antiquity feels entirely fitting. For, like the mythological ruler of the tides, Luke Edward Hall is undoubtedly going places.

The Portrait Of Luke Edward Hall

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