KEY FEATURES I/O: 2-in/2-out USB 2.0 with Type-C USB connector, 2 combi connector mic and line inputs, 1 Hi-Z instrument input SAMPLE RATE: 44.1, 48, 88.2, and 96kHz, Smartgain feature, Software selectable loopback option, DIMENSIONS: 140x 67x 67mm, WEIGHT: 0.36kg
Audient have already applied their extensive analogue circuitry knowledge to a number of well respected desktop
USB audio interfaces. Their latest project, EVO, aims for even simpler, more compact audio interfacing and includes two options, EVO 4 (2-in/2-out) and EVO 8 (4-in/4-out), and it’s EVO 4 that I have on trial.
EVO 4 has a rather attractive cuboid design with a single instrument input and single headphone output on the front face (both ¼” jacks), and two combi (XLR/TRS) mic/line inputs and a pair of balanced outputs (¼” TRS jacks) on the back. The top face has a large encoder-style knob flanked by six backlit soft buttons and the bottom face includes a couple of desktop protector pads.
EVO more fun
This story is from the September 2020 edition of Future Music.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the September 2020 edition of Future Music.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates