BlackFlash Magazine - 42.1 - Traces

In dieser Angelegenheit

EDITORIAL NOTE:
Traces (Source Material)
Madeline Bogoch, Guest Editor

FEATURE:
To Speak & Spell When You're up Against the Wall
Luis Jacob

ARTIST PROJECT:
Presence
Jaime Black-Morsette

CONVERSATION:
Sanctuaries, soup, snakes, and soil:
A correspondence between AO Roberts and Zoe Cinel

DIGITAL PROJECT:
PPE (rituals)
AO Roberts

CONVERSATION:
To Behold and To Appear: An interview with Clare Samuel
Lodoe Laura

ARTIST PROFILE:
Scent, power, and the work of Elaine Cameron-Weir
Lindsey Sharman

ARTIST PROFILE:
Hazel Eckert: Never destroyed, or created
Rose Bouthillier

FEATURE:
Embodying Our Ancestors
Jennifer Lee Smith

CONVERSATION:
Emma Beyond Myth: A conversation with Nancy Lowry
Laura St Pierre

BlackFlash Magazine Description:

BlackFlash Magazine is a platform for contemporary visual art.

BlackFlash is dedicated to presenting critical opinions, urgent issues, and innovative ideas about divergent artistic practices from across Canada, the United States and beyond. Each issue includes feature articles, profiles, interviews, and artist projects from a diverse selection of artists, writers, and curators. BlackFlash fosters a rich public engagement with image-based practices, such as photography and video as well as sound, performance and social practice by promoting energetic debate and showcasing diverse voices and communities (local, regional, national and international).

BlackFlash was founded in 1983 by the Saskatoon artist-run centre, The Photographer’s Gallery (TPG). We are currently working on our 38th year of publication, making us one of Canada’s longest running magazines. BlackFlash is proudly published, designed, and disseminated in Saskatoon, Saskatchewan, and is an internationally recognized resource and authority on Canadian and international contemporary art.

BlackFlash was created to promote contemporary photography and over its thirty-five year history, the magazine evolved, following the artistic trajectory of photo-based practice to include artists working with new technologies such as video and digital media. In its commitment to being responsive to artists and relevant to contemporary art practice, the magazine has recently broadened its editorial mandate, while affirming its distinctive prairie perspective.