Fascinated By Art Crime, Riah Pryor Has Made It Her Business To Find Out As Much As She Can About The Shady World Of Selling And Buying Forged Artworks.
How did you become interested in the world of art crime?
I became intrigued by the subject and the work involved in establishing whether a painting was authentic when studying History of Art at UCL. This interest led to a job at the Art & Antiques Unit at New Scotland Yard, where my research on cases and organisation of events to raise awareness of the issue helped me get to grips with how the art market worked and how criminals work within it.
Which art heist of our lifetime has affected you the most?
As an art-lover, I’m always pretty upset when a work goes missing. I think the most shocking art heist in recent times has to be the theft carried out at the Isabella Stewart Gardner Museum in 1990. Thirteen works of art, including pieces by Rembrandt and Vermeer, are still missing. It’s a massive loss.
You talk about low-level crime on a mass scale in your book, Crime and the Art Market – what does this mean?
Diese Geschichte stammt aus der August 2016-Ausgabe von Artists & Illustrators.
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Diese Geschichte stammt aus der August 2016-Ausgabe von Artists & Illustrators.
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