Frankie Stellato has more than 14 years of experience as an animator, which he now channels into his role as animation supervisor at Digital Domain, one of the biggest and most well-respected studios in VFX. More recently Stellato has been putting superheroes in motion, earning himself credits on the likes of Aquaman, Ant-Man And The Wasp, Avengers: Infinity War and Spider-Man: Homecoming. His credits also include video game projects such as a live-action trailer for Assassin’s Creed: Odyssey. He has also devoted time to mentoring the next generation of animators, teaching them the ways of character animation using Autodesk’s Maya. 3D World caught up with Stellato recently to find out about his typical day-to-day routine.
8:00am Generally, I will start my day by catching up on some emails while I get ready for work. On my walk to the office I’ll half-listen to an audiobook while prioritising what tasks I need to tackle as soon as I get in, if there is any. Once in the office, I have somewhere between half an hour to an hour to get those tasks done and prepare for animation dailies.
Diese Geschichte stammt aus der March 2020-Ausgabe von 3D World UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der March 2020-Ausgabe von 3D World UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Nvidia GeForce RTX 4080 Super Founders Edition
On the surface, the GeForce RTX 4080 Super is barely any different from the vanilla GeForce RTX 4080 that was launched in 2022.
MCU VFX moments
Pros choose their favourite CG shots from the Marvel Cinematic Universe
Nosing around on Fallout
We sniff out the story of how FutureWorks brought The Ghoul to life with the creation of his iconic noseless face
DISCOVER RED GIANT GEO'S HANDY TOOLS
Heather Sterland introduces one of the newest additions to Maxon's suite of Red Giant VFX plugins with an atmospheric lunar creation
BUILD AND ANIMATE A FUN-FILLED ROBOT
Expand your horizons with Julio Benavides, who reveals his workflow for creating a charming hard-surface character
DESIGN STRIKING SCULPTS AT SPEED
Learn how to build 3D characters that balance visual quality and efficient workflow with pro advice from Oh Holy Mary
CREATE A CANYON ENVIRONMENT
Build a stunning desert setting with an expert walkthrough from Romain Eboli, who uses high-quality Quixel assets
TURN A 2D CONCEPT INTO AN INCREDIBLE 3D-PRINTED FIGURE
Concept artist Emily Chapman shares her process for sculpting, printing and painting an outstanding model to put on display
Goodbye SAIGON
Trevor Hogg gets held captive by multiple versions of Robert Downey Jr.while uncovering the visual effects of HBO's spy series The Sympathizer
IMPRESSIONISTIC REALISM
Trevor Hogg learns how the artisan aesthetic came to be for The Wild Robot