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In the first film, Maleficent (2014), a handful of moments saw its title character vault skyward, where she would soar and swoop, rise and fall, with imagery that was invested with a beauty, lyricism and kinetic energy. In the sequel, Maleficent: Mistress Of Evil, directed by Joachim Ronning, MPC had the opportunity to build on the work that they created for the original movie.
Speaking with MPC’s Jessica Norman, VFX supervisor, and Seng Lau, animation supervisor, the conversation about their work on the new movie begins with them each laying out their respective roles on the project.
Diese Geschichte stammt aus der January 2020-Ausgabe von 3D World UK.
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Diese Geschichte stammt aus der January 2020-Ausgabe von 3D World UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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