Last summer, Kenny Harris and his wife, Judy Nimtz, rented a cottage on the Sheep’s Head peninsula in County Cork, Ireland, intent upon painting the landscape. However, Harris discovered the iconic Bantry House just down the road—a 30,000-square-foot manse on 100 acres overlooking Bantry Bay. Harris left a note for the manager of the house to the effect “Hi. I’m a painter. Will you let me come and paint on-site?” Sophie Shelswell White, whose father had inherited the house in 1978, agreed. The family has occupied the house since the 18th century.
Often, visiting historic houses on tours, he must rely on hastily shot photos that he uses as references back in the studio. At Bantry House, he was able to paint oil sketches, which he is now working into larger compositions. In View from Upstairs, the diffuse light of Bantry Bay enters through the window and animates the window and bed curtains and “turns the form” of the porcelain vessels on the dresser.
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Diese Geschichte stammt aus der March 2020-Ausgabe von American Art Collector.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
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The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
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