Paris had only recently been rebuilt from medieval chaos to broad, apartment-lined boulevards. One of the new buildings can be seen through the smoke and steam in the station. Monet painted the station on a sunny day with the light animating the atmosphere, lighting the distant buildings and casting shadows throughout the station, an Impressionistic view of modern Paris.
Also in 1877, the Southern Pacific Railroad completed its line through the desert to the ocean. Part of the land it passed through had been occupied by the Agua Caliente Band of Cahuilla Indians for thousands of years. An oasis the Cahuilla called Se-Khi (boiling water), later became Palm Springs, California. Beginning in the 1920s, visionary architects began building sleek, modern homes and other buildings in Palm Springs. The area became a mecca for midcentury modern design.
Today, Danny Heller combines architecture and automobiles in his paintings that celebrate midcentury Palm Springs and the area. He says, “Working in a photorealistic fashion, I highlight various elements of midcentury modernism—walls of intricate breeze block patterns, dynamic rooflines of tract homes, fins of a 1958 Cadillac, kidneyshaped swimming pools—and how they combine with the surrounding environment to create an idealized setting. What’s important for me is not just a respectful reproduction of these touchstones of design, but communicating their optimism and continued relevance in our daily lives. In doing so, I’m helping people value the past, aid in its preservation and learn from it in order to build the future.”
Joseph Eichler was a real estate devel oper who brought modern design to the masses, building 11,000 homes across California—but not in Palm Springs. A company is now rectifying that by working with designs by the architects who worked for Eichler to create homes for the 21st century called Desert Eichlers.
Diese Geschichte stammt aus der October 2019-Ausgabe von American Art Collector.
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Diese Geschichte stammt aus der October 2019-Ausgabe von American Art Collector.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.