A new exhibition at Rehs Contemporary Galleries explores the power of observation.
Toward the end of the 18th century in England, Romantic poetry began to emerge as a reaction against Enlightenment. One of the most enduring concepts of the genre is the idea of the sublime, which relates to the heightening of an experience by appealing to one’s emotions. William Wordsworth, one of the earliest proponents of romanticism, was particularly drawn to this notion. He wrote of how a poet he knew would go outside and jot notes about nature; he then wrote a description of what he saw rather than imbuing his poetry with his experience.
Wordsworth explained, “He should have left his pencil behind, and gone forth in a meditative spirit; and, on a later day, he should have embodied in verse not all that he had noted but what he best remembered of the scene; and he would have then presented us with its soul, and not with the mere visual aspect of it.”
In the visual arts, this idea often rings true as well, particularly when a painter puts brush to canvas and offers their interpretation of the world around them. These can be literal observations of the landscape or still lifes, or they can be more surrealistic imagery that they have created based on their experiences. Yet, all are more than the visual—they are filled with a spirit of the artist as they observe and take in what is before them.
Diese Geschichte stammt aus der April 2019-Ausgabe von American Art Collector.
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Diese Geschichte stammt aus der April 2019-Ausgabe von American Art Collector.
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FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.