The horse had been given to King Philip II of Thessalonia, Alexander’s father. It was thought to be too wild to tame and was led away. Alexander had noticed that it seemed to be afraid of its shadow and turned him into the sun so his shadow was behind him. He mounted the calmed horse, attached a bridle and the rest, as they say, is history. Alexander rode Bucephalus into battle, naming a city for him in what is now Pakistan after he was killed in battle in 326 BCE.
An 18 th-century graphite and ink drawing by Felice Giani depicts Alexander taming Bucephalus while his father and other warriors look on in amazement.
Frank Califano’s admiration for primitive art as well as for horses is evident in his bronze sculpture Let’s Talk. The proud horse resembles stylized horse sculptures from ancient Greece and reflects his admiration for Diego Giacometti and Henry Moore. A bit taken aback by the girl standing in front of him hiding a rope behind her back, the horse may be on the cusp of a lifelong relationship with his about-to-be trainer.
Califano says, “Before starting a sculpture, I already have a name for the piece and a good idea of what it will look like. I do not make preliminary modeling or sketches. My sculpture remains in the thought process until it has been clearly defined. At the proper time, and no sooner, I very quickly begin modeling the design elements that I’ve been processing for weeks. Because I’ve done no preliminary artwork related to this sculpture, the results are fresh and spontaneous. To keep me focused on my objective, I write the name of the piece on my work surface.”
Diese Geschichte stammt aus der May 2020-Ausgabe von American Art Collector.
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Diese Geschichte stammt aus der May 2020-Ausgabe von American Art Collector.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.