Exhibiting side by side, Soviet and historical works with contemporary works by Russian, Ukrainian, American, French, Norwegian, Chinese and German artists, Realism Without Borders aims to connect two centuries and two continents via the commitment to realist painting traditions.
The exhibition at Vanessa Rothe Fine Art in Laguna Beach, California, will unite international historical works with contemporary artists who have studied the same fine art techniques and are working in similar genres today, including Joseph Todorovitch, Derek Penix, Michelle Dunaway, Olga Krimon, Oleg Lomakin, Boris Gladchenko, Vadim Suvorov, Sergey Kovalenko and David Gray. This exhibition will allow collectors a rare chance to view and compare works from America, Europe and Russia and to purchase for their own fine art collection. Works will range from small, affordable gems that make excellent gifts, to large-scale, museum-quality works of fine art.
The exhibition, featuring more than 50 works by 25 international artists, blurs physical country borders combining artists from all over the world, as well as allows for creative freedom without boundaries within the works. Often combining realism, impressionism and just a touch of abstract, the works form a bold exhibition concept that is the talk of the art world. Paintings may combine a finely rendered figure with thicker blurred edges or abstract backgrounds. From bold brushwork to fine details, from the Russian schools of realism in St. Petersburg to the Ukrainian works with vibrant loose impressionist brushwork, the works begin to create their own category of contemporary realism.
Diese Geschichte stammt aus der April 2019-Ausgabe von American Art Collector.
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Diese Geschichte stammt aus der April 2019-Ausgabe von American Art Collector.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.