But before that period ends the sentence, there are usually several commas—pauses in the sentence to denote other thoughts and ideas. For artists these pauses come at natural places: the pause between idea and sketch, the pause between sketch and prepping a canvas, the pause after a rough drawing, after passes of light and detail are added, after a signature is signed.
In Cesar Santo’s newest pieces, the Florida artist argues that art isn’t just the finished work. It’s the process. It’s every layer between the initial idea and completed painting. It’s layer after layer of paint, each one its own work of magnificence, each one informing the one to follow.
And it’s a shame those layers get covered. “These are the building blocks of art, and I want people to see them,” Santos says from his Miami studio. “Sometimes as artists we have to cover that magic up as we finish a painting, but with these new works I want to leave the magic exposed to the viewer.”
Santos’ new show, Pages, which opens December 7 at Maxwell Alexander Gallery in Los Angeles, will present paintings that highlight each stage of a work of art. Many of the pieces include every step Santos goes through in the course of a painting: from blank canvas to quick sketches to color studies to detailed drawings tothe initial layers of oil paint to, finally, his fully rendered figures.
And these layers aren’t just static blocks of ideas glued together—the layers are fluid and they swirl together in comforting ways.
Diese Geschichte stammt aus der December 2019-Ausgabe von American Art Collector.
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Diese Geschichte stammt aus der December 2019-Ausgabe von American Art Collector.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.