Indian architecture is rooted in its history, culture and religion.
It progressed with time and assimilated the many influences that came as a result of India’s global discourse with other regions of the world. Right from the Indus Valley Civilisation to the modern era, India has undergone a drastic change in its architecture. ‘Modern architecture’ as a revolutionary and innovative force started to make cautious headway in India in the early 1930s, but a spark towards it was ignited during the post independence period.
The monuments had begun to be viewed in the context of that time. Not to be imitated, modern India required modern architectural symbols and forms to express the dynamism of a free people on their march to economic development. Then a breakthrough was made with the design of Golconde at the Aurobindo Ashram in Pondicherry. Golconde was the first expression of a new era about to commence for contemporary Indian architecture. A unique urban architectural experiment was made in the development of Chandigarh by the French architect, Le Corbusier. The post-partition group of architects had been exposed to Le Corbusier and other European masters, and was also influenced by masters of American modernism. A pioneering attempt to use a new architectural vocabulary to express both cultural continuity and ambiguity of that time was made by Charles Correa. India was torn between the twin pressures of traditional belief systems and a simultaneous desire for modernisation, and it could have come only from Correa. As the process of industrialisation got under way, a new trend of structural designing was born.
Diese Geschichte stammt aus der December 2016-Ausgabe von Architecture + Design.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der December 2016-Ausgabe von Architecture + Design.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
A GRECIAN RETREAT
Shimona Bhansali imbues a subtle touch of opulence to this home in Mumbai
A BOLD STATEMENT
Dhampur Sugar Mills Limited's workspace in New Delhi designed and built by Officebanao adopts an industrial narrative
A BREATH OF FRAGRANT DESIGN IN DELHI'S HEART
An office that smells like perfumery; that is the vision that TWI brought to life in this office space designed for an acclaimed perfume company in India
MASTER OF ALL TRADES
The ethos of forward-thinking and ingenuity finds its architectural counterpart within the walls of Nikhil Kamath and Abhijeet Pai's office-a vision of organic design infused with the essence of India
A TOUCH OF OPULENCE
Designed by Aparna Kaushik, this Delhi office displays an interesting balance of classic aesthetics and contemporary sensibilities
THE WOODEN WONDERLAND
Priyanka and Piyush Mehra envision a stunning experience centre for Vikas Plywood
THE HUB: BUILDING COMMUNITIES
Studio Lotus designs a dynamic mixed-use community hub that activates Chennai's largest IT Park
THE WINNER'S PERCH
Baldiwala Edge designs a Singapore-based ship broker's office as a torch collector's paradise, offering a 360-degree bird's-eye view of the Mumbai skyline
THE DIRECTOR'S CABIN
Designed by Envisage, this office gives a new definition to the traditional notion of biophilia
Designing Corporate India
From weaving the magic of a Star Trek-themed command centre to crafting bespoke block-printed workstations, Vijaya Bhargav and Arnab Ghosh-the trailblazing co-founders of Ostraca-have astonishingly transformed a staggering 29 million square feet of office space for India's tech giants and global enterprises-all while maintaining a flat hierarchical company culture-fuelling a master class in corporate design