Sher embraced the vandalistic act's raw and violent nature and utilized it to create a new style. His work results from a very physically demanding process of injuring, scratching, etching, engraving, and scorching large cork and wood panels.
In 1999, Sher moved to Tel Aviv and had an experience that changed his life: He stopped at a gas station near Beit Yanai and saw that the restroom walls were covered with graffiti. Captivated by the wildness and artistic freedom they conveyed, he felt the urge to tear down barriers in his own work.
He began to paint and draw on cork panels mounted on wood, lacerating the surface with knives, screwdrivers, and electric saws, burning it with a wood-burning etching pencil and splattering it with substances like coffee, mud, ketchup, and red wine. His work is also rooted in the iconography of the Levant.
Diese Geschichte stammt aus der Issue #53 November 2020-Ausgabe von Art Market.
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Diese Geschichte stammt aus der Issue #53 November 2020-Ausgabe von Art Market.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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Sleepwalking Through the Apocalypse.
An exclusive interview with Lucas Lamenha
"The following pieces are part of a new collection developed from universal pop culture references and bring new characters and elements created from memories and inspirations of my daily life and reflections."
NATAŠA GREGORIČ NABHAS
Dialog with Monet
Katja Tomzig
CREATING A NEW WORLD
IVONNE WAISSMANN
capturing beauty
EDSON CAMPOS
Born in Rio de Janeiro, Brazil, Edson Campos has enjoyed sketching and painting since childhood.
Viktoria Ganhao
BETWEEN SUBTLE FIGURATION AND LYRICAL ABSTRACTION