Arteo Atelier and Arteo Living are architectural and art restoration firms headed by Architect Cristina Corvino
MEB3: Could you please give us a summary of the prevailing architectural style in the downtown area of Turin? How did it get to the present shape?
Diese Geschichte stammt aus der Issue #45, January 2020-Ausgabe von Art Market.
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Diese Geschichte stammt aus der Issue #45, January 2020-Ausgabe von Art Market.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Katja Nordmeyer – Cracks, Beauty, and Soul
Katja Nordmeyer's career initially took her into the fashion world, but her passion for painting never left her, and she always felt that painting was what she was destined to do.
Negar Jahanbakhsh – Human self-reflection
Negar Jahanbakhsh (b. 1986, Isfahan) is an internationally award-winning Iranian artist who exhibited her art in countless solo and group exhibitions around the globe, participated in auctions and was awarded prestigious prizes for her unique art.
An Exclusive Interview With Guillermo Lorca
Guillermo Lorca García Huidobro is a well-renowned painter of classical oil. Early paintings have been successfully exposed and sold through important art exhibitions, including The Asprey Exhibition in London and the exhibition "The eternal life" in the most important museum in Chile.
An Exclusive Interview With Kathryn Jacobi
Sleepwalking Through the Apocalypse.
An exclusive interview with Lucas Lamenha
"The following pieces are part of a new collection developed from universal pop culture references and bring new characters and elements created from memories and inspirations of my daily life and reflections."
NATAŠA GREGORIČ NABHAS
Dialog with Monet
Katja Tomzig
CREATING A NEW WORLD
IVONNE WAISSMANN
capturing beauty
EDSON CAMPOS
Born in Rio de Janeiro, Brazil, Edson Campos has enjoyed sketching and painting since childhood.
Viktoria Ganhao
BETWEEN SUBTLE FIGURATION AND LYRICAL ABSTRACTION
