Ingrid Sanchez’s first studio was a storage room in the backyard of her parents’ home in the Mexican city of Morelia. She was nine years old and would while away hours painting in oils. However, it would be some 20 years before she would have her own workspace again and first use watercolours, the medium that has anchored her career as a professional artist. Ingrid now paints and teaches small classes at her home studio in West London, where she has been based for the last seven years.
It is a forensically tidy, bright white space dominated by plants although she’s in the process of converting the summer house in the garden into another area where she will work, too.
“I am a very organised and clean person,” she says proudly. “My students always say, ‘I thought artists were messy!’ It is very important for me that everything is where it’s supposed to be.”
Ingrid makes original paintings as well as selling her designs to – and working in partnership with – many Ingrid Sanchez leading businesses and brands. Her work can be found on homewares, thermos flasks and greetings cards and she has worked with the likes of Moonpig, Macy’s and Waterstones. Whatever the intended purpose, her bright, purposeful works teem with colour and movement. You’d also be forgiven for calling them “flowers”, yet Ingrid sees them differently: “I paint dots and lines. I do it in a way that makes you think you’re looking at a floral composition, but I don’t paint flowers. They just look like flowers.”
Diese Geschichte stammt aus der July 2021-Ausgabe von Artists & Illustrators.
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Diese Geschichte stammt aus der July 2021-Ausgabe von Artists & Illustrators.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
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Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
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Washes AND GLAZES
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Hands
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Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
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