Born in 1963, Nick Botting studied History of Art at the University of Kent before taking up landscape and portrait painting. In 1996, he was one of art critic Brian Sewell’s invited artists at the Discerning Eye exhibition and he was commissioned by the MCC to paint the England cricket team’s Test series in Pakistan in 2001.
As well as staging exhibitions as far afield as Australia and South Africa, Nick has exhibited regularly at London’s Portland Gallery since 2003. His next exhibition there runs from 12-22 October.
PAINTING ON LOCATION
Most of my painting is done on location. I want to respond to the world – and you do that by being part of it. I then take the canvases back to my studio and look at them as “paintings”. I’ll start looking at them upside down or in mirrors to check the composition, I sometimes book models – if you are painting a bar or restaurant, people are coming and going, and while you might have an idea for a pose, you don’t have a chance to paint it properly. Editing in the studio is a tricky one though: if you over-focus in one area of the painting, the balance is thrown.
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Diese Geschichte stammt aus der October 2020-Ausgabe von Artists & Illustrators.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
