I enjoy painting water. And I don’t just mean small moorland streams or wide-flowing rivers. It might seem rather incongruous, but the humble puddle can be a wonderful thing. Quite often when walking and sketching the lanes near to my home in Devon, a once-unpromising subject can be completely transformed after a shower or prolonged spell of rain. Puddles form, unexpected reflections appear, and that unlikely subject suddenly seems to present a wealth of possibilities.
This was the case one autumn afternoon in Suffolk. I’d always felt that the bend in this lane had the bones of a painting in it. The problem was that the road was such a large part of the scene with few redeeming features, so there was a danger its blandness would dominate any potential painting.
However, after a morning’s rain, I was delighted with what I came across. Puddles had completely transformed the scene. The lane was full of captivating patches of blue and gold, the reflections from sky and tree. Even in the shadow cast by the clipped hedge, the recently formed puddles added an unexpected splash of colour in an area that might have appeared flat and lacking interest. It was time for a quick sketch [below left], a photo or two [left] and then back to the studio.
Rob’s materials
•Paper Two Rivers 300gsm paper, pre-stretched
•Brushes Sable, sizes 4,6,8 and 14; rigger, size 2
•Watercolour Quinacridone Gold, French Ultramarine, Winsor Blue (Green Shade) and Cobalt Violet, all Winsor & Newton Professional Watercolour; Green Gold and Burnt Sienna, both Daler-Rowney Artists’ Watercolour; May Green and Translucent Orange, both Schmincke Horadam Aquarell; Transparent Oxide Umber from Rembrandt Watercolour
Diese Geschichte stammt aus der December 2020-Ausgabe von Artists & Illustrators.
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Diese Geschichte stammt aus der December 2020-Ausgabe von Artists & Illustrators.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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