Celebrated for his award-winning novels and illustrations, MARK HADDON has always painted for pleasure. Now a new series of abstract paintings heralds his emergence as a gallery artist as SALLY HALES discovers
Mark Haddon thinks in pictures. “I always have done,” says the author of the bestselling novel The Curious Incident of the Dog in the Night-Time. “I can’t write a scene in a novel or a short story, for example, without a very clear picture of the room, the house, the building or the landscape where it’s taking place.”
Written from the point of view of a young boy with low-level Asperger syndrome, the book beautifully and empathically paints a picture of how the world looks and feels from the protagonist’s point of view.
A Curious Incident’s astonishing world building is the key to its success: it’s sold more than two million copies, won a clutch of awards, and spawned a theatre adaptation that’s still going strong in London’s West End. It launched its author to literary stardom overnight. Yet, by the time it was published in 2003, Haddon had already spent 20 years professionally crafting word and images together.
Born in Northamptonshire in 1962, Haddon had a childhood passion for maths, but he went on to study English at the University of Oxford, before writing children’s books and working – entirely untrained – as an illustrator. His illustrations were produced both for his own writings and also commissions for publications including the New Statesman, Private Eye and The Guardian. But painting was always there, alongside illustration and writing, as part of his creative process.
Diese Geschichte stammt aus der March 2019-Ausgabe von Artists & Illustrators.
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Diese Geschichte stammt aus der March 2019-Ausgabe von Artists & Illustrators.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration