JIM MOIR IS BETTER KNOWN AS COMEDIAN VIC REEVES, BUT RECENT ARTISTIC OUTINGS REVEAL A MULTI-TALENTED MAN WITH AN ENDLESSLY CREATIVE MIND. SALLY HALES AND NATALIE MILNER ASKED HIM HOW AND WHY HE PAINTS
Anyone who remembers the 1990s’ TV comedy The Smell of Reeves and Mortimer will hardly be surprised that, when one of its creators’ thoughts turn to painting, the outcome veers towards the surreal. Indeed, a look at Jim Moir’s – aka Vic Reeves – recent exhibition of paintings and drawings, Wrestlers, etc, at London’s Grosvenor Gallery revealed an imagination at full throttle. Works taking in the surreal, amusing, bizarre and sinister are clearly the product of constant creativity. “I think putting your imagination on canvas or a television screen is the same thing,” says Jim. “If you’ve got an idea, you have got to have an outlet for it. So if it’s painting, poetry, singing or acting it all comes out somewhere.”
Diese Geschichte stammt aus der November 2017-Ausgabe von Artists & Illustrators.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der November 2017-Ausgabe von Artists & Illustrators.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
