Celebrated textile artist Pauline Burbidge is challenging expectations of what a quilt can be. Her pioneering work is held by museums such as London's V&A, as well as prestigious collections in America. I've always been trying to reinvent what quilting is; to make quilts completely on my own terms, and not according to anyone else's rules. I hope I have changed what people mean when they talk about quilts, Pauline says.
Pauline started making quilts after a chance discovery at London's Portobello market in 1975. I found an old quilting book by Ruth Finley from the 1920s, and I decided to try making a few traditional blocks,' she explains. In a traditional quilt, a block is formed from small pieces of fabric patched together to make a larger square (hence 'patchwork'). Conventionally, a quilt top is made up of different square blocks sewn together. The top is joined onto a warmer middle layer and a fabric backing, and the layers are quilted' together with tiny stitches.
'At the time, I was working in the fashion business as a designer, but I loved the simplicity of quilting. It was just me, colour and fabric. At the age of 25, I realised, "This is it!" After Pauline's moment of epiphany, reality hit, and she had to find a way to make a living. Working as a pattern-cutter three days a week meant that she could keep quilting without having to cut corners. Pauline believes it's this refusal to compromise that has kept her making quilts for nearly 47 years.
Diese Geschichte stammt aus der April 2022-Ausgabe von Homes & Antiques.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der April 2022-Ausgabe von Homes & Antiques.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Lisa Coppin
The Cotswold Company’s chief creative officer shares the pieces that mean so much to her
TRAVEL
Six of the best pineta, plus a festive trip to Covent Garden. Review of The Orange, Belgravia by Katie Pike, travel stories
OLD SHEFFIELD PLATE
Stumbled upon by chance, this ingenious material was a more affordable option than solid silver, and well-preserved examples are particularly desirable today
Merrily on high
Summoning servants since the 1700s, bell boards create instant English country-house style (even if you don't have any servants). Emma Longstaff dons her pinny
Let it snow
Nostalgic, magical and highly collectable, snow globes are curious objects of wonder that never fail to instil joy
Velvet Crush
Once the preserve of the wealthy, velvet finally touched all levels of society, thanks to advances in its production process
Celebrating in the Stable
Antiques dealer Julia von Hülsen specialises in Gustavian pieces - all of which look perfectly placed in her German home
THE SHOW MUST GO ON
Victorian toy theatres charming and exquisitely designed miniature worlds have inspired theatre royalty for decades. Today, the tradition is being kept alive by a small but talented network of makers
NICHOLAS LEES
The ceramic artist talks to Dominique Corlett about new ways of working with clay and blurring the edges of solid objects
Candy CHRISTMAS
Pastel hues, vintage decorations and bowls of sweet treats: the festive run-up is gloriously joyful at Bettina Færgeman's historic Copenhagen apartment, where there's an emphasis on entertaining...