The iconic designer at Gainsborough mill.
It never occurred to Dame Zandra Rhodes that she would become a superstar of the fashion world. Born in Chatham, Kent, in 1940, she toyed with the idea of becoming an archaeologist and then of becoming an illustrator. I didn't do much sewing. I was always drawing and painting.' It was only at Medway art college, thanks to an inspirational teacher, that she discovered a passion for printed textiles, and the course of her future was set. Since then, my career has been based around textiles and where they lead,' she recalls.
From Medway, Zandra won a scholarship to the Royal College of Art and began designing furnishing textiles. 'I absorbed the pop art of the time. Hockney was at the RCA; I saw what people like Paul Poiret and Sonia Delaunay could do.' Another important source of inspiration was her mother, who had worked for the couturier Worth, taught at Medway, and to whom she ascribes her signature love of colour. 'I was very influenced by her; she was very exotic. But when it was school open days I'd say, "Please don't come looking different from the other mothers" she didn't look like anyone else.'
From furnishing fabrics, Zandra diverted her focus to designing printed fabrics for the fashion industry. Her first break came thanks to the designers Foale and Tuffin. 'They were the trendy designers of the day, designing for Liberty and others. I had to work with a print company, transferring my designs - it was a very exciting learning experience. The designs were photographed in British Vogue and incredibly well-received,' she explains.
Diese Geschichte stammt aus der August 2022-Ausgabe von Homes & Antiques.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der August 2022-Ausgabe von Homes & Antiques.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Lisa Coppin
The Cotswold Company’s chief creative officer shares the pieces that mean so much to her
TRAVEL
Six of the best pineta, plus a festive trip to Covent Garden. Review of The Orange, Belgravia by Katie Pike, travel stories
OLD SHEFFIELD PLATE
Stumbled upon by chance, this ingenious material was a more affordable option than solid silver, and well-preserved examples are particularly desirable today
Merrily on high
Summoning servants since the 1700s, bell boards create instant English country-house style (even if you don't have any servants). Emma Longstaff dons her pinny
Let it snow
Nostalgic, magical and highly collectable, snow globes are curious objects of wonder that never fail to instil joy
Velvet Crush
Once the preserve of the wealthy, velvet finally touched all levels of society, thanks to advances in its production process
Celebrating in the Stable
Antiques dealer Julia von Hülsen specialises in Gustavian pieces - all of which look perfectly placed in her German home
THE SHOW MUST GO ON
Victorian toy theatres charming and exquisitely designed miniature worlds have inspired theatre royalty for decades. Today, the tradition is being kept alive by a small but talented network of makers
NICHOLAS LEES
The ceramic artist talks to Dominique Corlett about new ways of working with clay and blurring the edges of solid objects
Candy CHRISTMAS
Pastel hues, vintage decorations and bowls of sweet treats: the festive run-up is gloriously joyful at Bettina Færgeman's historic Copenhagen apartment, where there's an emphasis on entertaining...