Harold W. McCauley (1913-1977)
Illustration|Illustration No. 59

Harold William McCauley was born in Chicago on July 11, 1913. His father, William James McCauley, was born in Chicago on December 28, 1890, and was of Irish ancestry.

David Saunders
Harold W. McCauley (1913-1977)
His mother, Madeline F. Barry, was born February 11, 1894, also in Chicago. His parents married on May 8, 1912. Less than one year after his birth, his mother died at the age of 20 on June 9, 1914, after a complicated pregnancy with what would have been their second child. After her tragic death, Harold’s father, age 24, moved in with his widowed-mother, Christiana McCauley Grace, so that she could care for his infant son. Christiana was born in 1866 in Nebraska, and had recently married her second husband, Fred Grace. He was born in 1869 in Michigan, and worked as a machinist at a Chicago piano factory. Harold McCauley was raised by his father, his maternal grandmother, and his step-grandfather. The family lived at 3440 West 47th Street in Chicago.

Harold’s father, William James McCauley, worked at a local brewery, and he continued to work there even after Prohibition began in 1920, which reflects the power of the beer industry in Chicago during the roaring ’20s.

In 1927, at the age of 14, Harold McCauley began a three-year program of basic training in weekend art classes at the Art Institute of Chicago. His most influential art teacher was the famous illustrator, J. Allen St. John (1872-1957), who introduced the young artist to the sensational literature of Edgar Rice Burroughs. For the rest of his life, McCauley remained an avid reader of fantasy adventure stories and science-fiction.

In June of 1931, Harold McCauley graduated from high school in Chicago, after which he entered the work force. His first job was as a staff artist at the massive Cuneo Press, an engraving house located at 2256 Grove Street. The company produced most of the newspapers and magazines that served midwestern America.

In 1932, McCauley began to take evening art classes at the American Academy of Art in Chicago, where his fellow students included Gillette Elvgren (1914-1980).

Diese Geschichte stammt aus der Illustration No. 59-Ausgabe von Illustration.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der Illustration No. 59-Ausgabe von Illustration.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS ILLUSTRATIONAlle anzeigen
THE ART OF PAUL BRANSOM
Illustration

THE ART OF PAUL BRANSOM

Paul Bransom (1885-1979) was widely known as the Dean of American Animal Artists. His work appeared on the covers of magazines like The Saturday Evening Post and served as illustrations of short stories in periodicals and in books. He provided the illustrations for some 45 books, most notably the 1912 edition of Jack London’s Call of the Wild and the 1913 edition of Kenneth Grahame’s The Wind in the Willows.

time-read
4 Minuten  |
Illustration No. 83
THE ART OF FRANK MCCARTHY
Illustration

THE ART OF FRANK MCCARTHY

Witnessing a Wild West show as a young boy was a crucial early influence that led Frank McCarthy to become a distinguished painter of Western historical themes. The excitement and emotion he felt that day stayed with him, and can be seen in the vivid action, color, and splendor that emanate from his paintings.

time-read
4 Minuten  |
Illustration No. 83
THE ART OF WARD BRACKETT
Illustration

THE ART OF WARD BRACKETT

Ward Brackett (April 2, 1914–December 14, 2006) was a gifted American illustrator, known for his work in paperback books and periodicals such as Reader’s Digest and Cosmopolitan.

time-read
2 Minuten  |
Illustration No. 84
THE ART OF N.C. WYETH
Illustration

THE ART OF N.C. WYETH

For over 25 years, N.C. Wyeth was regarded as the foremost illustrator of books and magazines in the United States. His artwork for iconic tales of romance and adventure has become synonymous with the stories themselves, familiar to multiple generations of readers. Some of the best-known characters in literature have become nearly indistinguishable from the images he produced.

time-read
10+ Minuten  |
Illustration No. 84
THE ART OF CHARLES LASALLE
Illustration

THE ART OF CHARLES LASALLE

\"We have some artists in the family.\" I didn't know it at the time, but my future father-in-law Aiden E. LaSalle was a master of understatement.

time-read
10+ Minuten  |
Illustration No. 80
THE ART OF PRUETT CARTER
Illustration

THE ART OF PRUETT CARTER

Pruett Carter was once recognized as one of America's top illustrators, during a time when illustrations were viewed primarily as easel paintings

time-read
10+ Minuten  |
Illustration No. 80
THE ART OF RAYMOND JOHNSON
Illustration

THE ART OF RAYMOND JOHNSON

Raymond Sven (Ray) Johnson was a commercial illustrator who created iconic paperback book covers spanning all genres of fiction for Avon, Popular Library, Monarch and other publishers from the late 1940s through the early 1960s.

time-read
10+ Minuten  |
Illustration No. 77
"Blow some my way"
Illustration

"Blow some my way"

THE DELINEATION OF DESIRE IN 1920s COMMERCIAL ILLUSTRATION

time-read
10+ Minuten  |
Illustration No. 77
THE ART OF FRITZ WILLIS
Illustration

THE ART OF FRITZ WILLIS

Fritz Willis was born in Oklahoma in 1907, and raised in Boston.

time-read
5 Minuten  |
Illustration No. 77
THE ART OF WILLIAM OBERHARDT
Illustration

THE ART OF WILLIAM OBERHARDT

Illustrator William Oberhardt (1882-1958) was born in Guttenberg, New Jersey, 1882.

time-read
10+ Minuten  |
Illustration No. 76