I am an abstract artist working in both soft pastels on paper and large format acrylic paintings on canvas. I have come full circle in many ways. When I was younger, my focus was primarily figure drawing and portraits. I drew and painted very realistically for many years. I became “stuck” and frustrated with copying photographs, so I began to experiment with working abstractly. I had always been attracted to abstract but had no idea how to begin. Out of frustration I cut some photos up into small pieces and began to draw the small segments. This helped me discover how I could develop abstracts based on realistic subjects. It also helped me to simplify and find abstract shapes. My non-objective pastel abstracts were the result of this experimentation, and I focused on this process for several years. I played with underpaintings, creating my own surfaces, learning different pastel techniques, and color theory. I was happy with what I was creating, and abstract was a very good direction for me as I always felt energized and challenged.
MY DESIGN AND COMPOSITION TACTICS
Drawing. I begin with a contour drawing of a flower or several flowers and plants. I draw from life and rarely use photos now. The drawing is more of a shorthand version of the subject. It is expressive and begins a more intuitive process. I never use the drawing “as is.” I combine elements from several drawings for one composition.
Diese Geschichte stammt aus der August - September 2020-Ausgabe von International Artist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der August - September 2020-Ausgabe von International Artist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
A Sense of Depth
A solid grasp of foreground, mid and background makes Colley Whisson's scenes come to life
Peaceful Places
Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes
School's in Session
A look at some of the many in-person and online art classes and workshops available today
Collaborative Environment
In this special edition of Beyond the Palette, we asked Scottsdale Artists' School executive director Trudy Hays a few of our own questions-about the benefits of art school, community and more
Flying COLORS
Artist David Barclay discusses how to pack painting gear for air travel-managing bulk, weight restrictions and more
Keep It REAL
The Art Renewal Center bolsters the support and reverence of traditional representational art
BUILDING AN ART CAREER ONLINE PART I
In this two-part series, James Gurney presents options for artists who want to improve their internet business strategies
EDWARD FRAUGHTON
Sculpting the Spirit of the American West
Preserving the Soul of Art
Throughout human history, people have used art to express themselves, record their daily activities, capture moments and share their emotions.
Intrigue in the ordinary
I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting