Shared Joy
International Artist|April - May 2022
Claudia Hartley chats with Scottsdale Artists' School about her roots as an artist and instructor
Shared Joy

SCOTTSDALE ARTISTS' SCHOOL:

What is your first memory of making art?

CLAUDIA HARTLEY: My mother said it began when I could hold something in my hand. My childhood was spent drawing and coloring. The best present I ever received was a large box of Crayola crayons. My favorite colors were Prussian blue and turquoise.

SAS: When did you begin to pursue art as a career?

CH: My original goal was to be an art professor. I attended the University of Georgia and received a BFA in painting and drawing. In the '60s it was the best art school in the South. Painting classes were experimental with lots of freedom. Realism was considered bad—everything was about being modern. I got married and started a family, so my graduate work was put on hold. I was accepted by two galleries in Atlanta. I taught art in our home, headed up a volunteer art program at my kid's school and painted part time. It was 20 years later, after my divorce, that I began painting as a full-time career.

Claudia Hartley, Sunset Reflection, acrylic, 16 x 20 (40 x 50 cm)

SAS: Tell us some things people don't know about you.

Diese Geschichte stammt aus der April - May 2022-Ausgabe von International Artist.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der April - May 2022-Ausgabe von International Artist.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS INTERNATIONAL ARTISTAlle anzeigen
Fresh Eyes
International Artist

Fresh Eyes

Anna Rose Bain discusses the passions of being an artist and helping students transform their own work

time-read
3 Minuten  |
October/November 2024
The Next Level
International Artist

The Next Level

Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects

time-read
2 Minuten  |
October/November 2024
Wild Spirit
International Artist

Wild Spirit

Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom

time-read
2 Minuten  |
October/November 2024
The Bridge Between
International Artist

The Bridge Between

Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination

time-read
2 Minuten  |
October/November 2024
The Color Continuum
International Artist

The Color Continuum

Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes

time-read
3 Minuten  |
October/November 2024
Points of Precision
International Artist

Points of Precision

A strong focal point and attention to detail make Nicola Jane's artwork jump off the page

time-read
3 Minuten  |
October/November 2024
BE YOURSELF
International Artist

BE YOURSELF

Harley Brown's fascinating things no one else will tell you

time-read
4 Minuten  |
October/November 2024
JEFFREY T. LARSON
International Artist

JEFFREY T. LARSON

Expertly Putting the Pieces Together

time-read
4 Minuten  |
October/November 2024
Hot-Blooded
International Artist

Hot-Blooded

Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds

time-read
2 Minuten  |
October/November 2024
Adam Clague Incandescence
International Artist

Adam Clague Incandescence

Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within

time-read
2 Minuten  |
October/November 2024