When a work of art doesn’t sell at an art show, it’s not the patrons’ fault; there are no obligations for purchases. It’s also not the dealer’s fault. I’ll even go so far as to say, to a good extent, it’s not necessarily the artist’s fault. Here’s the qualification: I’ll assume the dealer and artist are doing their best.
I’ve had shows where I sold very little; I thought I had done good paintings with a major dealer. Still it took a while for me to understand this part of the art world. It is a matter of continuing to put out the best possible works. Eventually, positive things begin to happen. More up than down. Yes, I do understand there are certain subjects that sell better than others. That one we all get. We do learn from successful artists; how they work, what they exhibit. It’s important to note that all of my colleagues paint subjects they love to paint, not just what they think will sell.
What I’ve had at art shows are works for which I have a deepest desire to paint: portrayals of people. Certainly, I know that a portrait of nephew Brad might not be selling material. I look for interesting people, with character, what they wear, their surroundings. For more than half a century, I’ve had a passion for portraying Native Americans and Indigenous Peoples of Canada. This devotion kept me going relentlessly for all these years.
Making it Work
When I start a piece, I’m convinced it will work and be a success in my own mind. I can’t think outside that area. In other words, I’m offering that part of myself into the world. Sounds rather selfless, but it’s quite the opposite. It’s entirely me or nothing; there’s no other way.
Diese Geschichte stammt aus der February - March 2020-Ausgabe von International Artist.
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Diese Geschichte stammt aus der February - March 2020-Ausgabe von International Artist.
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A Sense of Depth
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Peaceful Places
Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes
School's in Session
A look at some of the many in-person and online art classes and workshops available today
Collaborative Environment
In this special edition of Beyond the Palette, we asked Scottsdale Artists' School executive director Trudy Hays a few of our own questions-about the benefits of art school, community and more
Flying COLORS
Artist David Barclay discusses how to pack painting gear for air travel-managing bulk, weight restrictions and more
Keep It REAL
The Art Renewal Center bolsters the support and reverence of traditional representational art
BUILDING AN ART CAREER ONLINE PART I
In this two-part series, James Gurney presents options for artists who want to improve their internet business strategies
EDWARD FRAUGHTON
Sculpting the Spirit of the American West
Preserving the Soul of Art
Throughout human history, people have used art to express themselves, record their daily activities, capture moments and share their emotions.
Intrigue in the ordinary
I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting