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Poets & Writers Magazine|September - October 2017

Salman Rushdie’s New Novel, The Golden House, Marks A Triumphant Return To Realism For The Titan Of Letters Whose Insights On Everything From Novel-Writing And Magical Realism To Identity And Social Media Are As Fascinating As The Worlds He Creates In His Books. 

Porochis Khakpour
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ONCE upon a time, on a day of many firsts, a writer who had lived nearly four decades on a rather wounded, uncertain planet met the writer she admired most, a writer who had lived almost exactly seven decades on that same battered earth.

It was the first hot day of the year, a week before the official start of summer (high of ninety-seven degrees in Manhattan, “record-breaking heat advisory,” every news outlet declared), and the first interview Salman Rushdie was giving for his new novel, The Golden House, published this month by Random House. It was also the first time I properly sat down with the author who has had more influence on me than any other living writer. The Golden House is his eighteenth book—his thirteenth novel, which has somehow been more quietly announced than one might expect—but I devoured it in a sitting and a half, my favorite Rushdie novel in years.

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