When The Stage Is Brooklyn
Bloomberg Businessweek|October 07, 2019
David Binder wants to awaken new audiences to a 158-year-old outer-borough cultural institution.
James Tarmy
When The Stage Is Brooklyn

When David Binder was asked to apply for the position of artistic director at the Brooklyn Academy of Music—a sprawling, three- theater arts complex with annual revenue of $50 million—he didn’t think he had a shot. “Who wouldn’t want it?” he says. But unlike colleagues up for the job, Binder hadn’t spent decades working in an arts institution.

Instead he’d worked as a producer of Broadway hits including Hedwig and the Angry Inch, organized the High Line festival (with David Bowie as curator), and guest-directed the London International Festival of Theatre.

But for a 158-year-old institution with 700,000 annual visitors and 260 employees, a fresh perspective was crucial. BAM is in the middle of an ambitious expansion, adding a visual arts space and updating its theaters, as it competes in an increasingly crowded field for New Yorkers’ time and money. The Shed, a $475 million multidisciplinary exhibition- performance space, opened at Hudson Yards this year, and the lionlike Lincoln Center—with its world-class venues for theater, dance, music, and opera—continues to be the city’s standard-bearer. So when Binder’s appointment was announced in February 2018, he was put in the position of charting a new, and everyone hoped unique, direction for BAM’s artistic future.

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