The Together Man In Regional Cinema
Forbes Africa|December 2021 - January 2022
At the cornerstone of contemporary Swahili cinema, Tanzanian filmmaker Amil Shivji is adamant about telling stories of contrast and community and promoting local talent.
INAARA GANGJI
The Together Man In Regional Cinema

FOR TWO YEARS, TANZANIAN FILMMAKER AMIL Shivji made the white, windswept beaches of Zanzibar his home. The island was the location for his film Tug of War (Vuta N’Kuvute), a “coming-of-age political love story set in 1950s Zanzibar” that he co-wrote, co-produced and directed.

He used local talent and resources for this film that won him accolades – the film was selected for the Toronto Film Festival in September.

But that has been the focus of Shivji’s work all along; telling stories of the working class and the communities he grew up with, at the cornerstones, called kijiweni in Swahili, where the most interesting stories are, where people of all backgrounds and classes cross paths, and where the personal meets the public.

Growing up in a lower middle-class neighborhood, Shivji always felt the stories of the marginalized were not told enough.

For this, he makes a film a year from his production platform, Kijiweni Productions.

“We just make sure that we keep telling stories in Swahili, with local cast and crew,” says Shivji, who is part of a new wave of filmmakers from the region.

Diese Geschichte stammt aus der December 2021 - January 2022-Ausgabe von Forbes Africa.

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Diese Geschichte stammt aus der December 2021 - January 2022-Ausgabe von Forbes Africa.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

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