Except it was all a lie.
Not the commercial success-that was most definitely not a lie. But the façade, her image as the Martha Stewart of playthings, was a meticulously constructed gingham suit of armor, meant to deflect any gaze into how Melissa Bernstein really felt inside: scared, paranoid, and unable to forge meaningful human connections, damaged, depressed, isolated, and alone. It's exhausting,” Bernstein says today, recalling sleepwalking through much of her life and career. “I understand now the reason most folks don't crash until midlife. Because in our teens and 20s, we shoulder it, right? We can bear the façade. We can pretend we're someone we're not, and we get through it. But as I started to get older, I started to hear-it was literally like a drumbeat: 'You aren't being true to yourself.”
Diese Geschichte stammt aus der Winter 2021/2022-Ausgabe von Inc..
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Diese Geschichte stammt aus der Winter 2021/2022-Ausgabe von Inc..
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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