The American Philip Glass, who turns 80 this month, is a composing trailblazer whose impressively wide range of styles and works has helped shift the course of western music. Brian Wise meets him in New York.
As Philip Morris Glass celebrates his 80th birthday on 31 January, musicians and concert presenters have been confronted with the increasingly daunting question of how to recognise such a wide ranging, entrenched and influential force in music.
If Glass had lived only to Mozart’s 35 years of age, concert presenters could easily fashion career retrospectives around Music in Contrary Motion, Music in 12 Parts, and other early scores that helped establish the style known (to most of Glass’s chagrin) as minimalism. Had Glass lived to Beethoven’s age – 56 – he might be recognised for Einstein on the Beach, Satyagraha and Akhnaten, his trilogy of ‘portrait’ operas on themes of science, politics and religion.
Add another decade and the music world might focus on Glass the Hollywood composer, following the successes of The Truman Show, Kundun and The Hours, from about 1997 to 2002.
But in 2002, Glass had only just begun writing concertos and symphonies, and a second wave of operas was on its way, with Appomattox (2007), Kepler (2009) and The Perfect American (2013). This year, his Symphony No. 11 premieres at Carnegie Hall on his actual birthday and a third piano concerto, for fellow New Yorker Simone Dinnerstein, arrives in September.
GLASS HIMSELF DECLINES to identify the music that best defines his career. But when pressed, his body of more than 30 operas stands front and center.
Diese Geschichte stammt aus der February 2017-Ausgabe von BBC Music Magazine.
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Diese Geschichte stammt aus der February 2017-Ausgabe von BBC Music Magazine.
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Discovering Donizetti - Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day
Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day. For most people, undertaking a lockdown project meant learning to bake sourdough bread, getting fit with Joe Wicks, or taking up a language. But Professor Roger Parker, the eminent historian of Italian opera and emeritus professor at King's College London, had something far more ambitious in mind. He set about unearthing songs by Gaetano Donizetti - many of which had been lost since the composer's lifetime - and the enterprise turned into a two-year labour of love.
Composer of the month - Bohuslav Martinů - Though the Czech absorbed many influences from his exile abroad, his colourful music was always distinctively his own
The youngest of six, Bohuslav was a sickly child, and his father or older sister often had to carry him the 193 steps up to the tower. He was shy at school, too, though showed an early talent for the violin and gave his first concert at 14. By the following year, the future composer was off to the Prague Conservatoire to take the first, if faltering, steps towards a career in music.
Symphonies Beside the Sea- Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction
Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction. It's a dimension of music-making that once was integral to many a British holiday experience, yet now has all but vanished. The tide went out, you might say, on the professional seaside (or pier, or spa) orchestra many decades ago. In their glory days, though - perhaps a quarter-century on either side of 1900-these ensembles were everywhere, from Bridlington to Eastbourne, New Brighton to Worthing, Blackpool to Bexhill-on-Sea, Cleethorpes to Brighton... the list is astonishing.
Richard Morrison- Do Classical Works About Mortality Reveal More To Us As We Get Older? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise?
As we get older do we respond differently to that vast canon of music dealing with mortality? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise? Or do human beings possess such a flexible sense of empathy that we can relate to virtually any state of mind if it is evoked convincingly enough by a composer?
Do Notes Win Votes? - There are multi-dimensional ways that music is used by political campaigners and their supporters today.
It was a little bit of history repeating when Rishi Sunak announced the UK General Election to the heckling of his political opponents blasting out D:Ream's 'Things Can Only Get Better'.
Västra Karup Sweden
The spirit of soprano Birgit Nilsson is alive and well in the town of her birth, home to a festival dedicated to her memory
Federico Colli
\"At this moment in time we don't need more virtuosi. We need musicians to engage with the philosophy of music
Harmonic Progression
What happens when classical music-style levels of ambition, invention and sheer length are brought to pop? The answer, as Meurig Bowen explains, is Prog Rock
Golden years
Young musicians may be physically fit, but with age come the advantages of wisdom and experience
Sweet Sixteen
As The Sixteen celebrates its 45th birthday, founder Harry Christophers speaks to Andrew Stewart about directing a choral powerhouse
