American Sphinx
The New Yorker|September 23, 2019
What does the Crazy Horse Memorial really stand for?
Brooke Jarvis
American Sphinx

The street corners of downtown Rapid City, South Dakota, the gateway to the Black Hills and the self-proclaimed “most patriotic city in America,” are populated by bronze statues of all the former Presidents of the United States, each just eerily shy of life-size. On the corner of Mount Rushmore Road and Main Street, a diminutive Andrew Jackson scowls and crosses his arms; on Ninth and Main, a shoulder-high Teddy Roosevelt strikes an impressive pose, holding a petite sword.

As one drives farther into the Black Hills—a region considered sacred by its original residents, who were displaced by settlers, loggers, and gold miners—the roadside attractions offer a vision of American history that grows only more uncanny. Western expansion and settler colonialism join in a jolly, jumbled fantasia: visitors can tour a mine and pan for gold, visit Cowboy Gulch and a replica of Philadelphia’s Independence Hall (“Shoot a musket! Exit here!”), and stop by the National Presidential Wax Museum, which sells a tank top featuring a buff Abraham Lincoln above the slogan “Abolish Sleevery.” In a town named for George Armstrong Custer, an Army officer known for using Native women and children as human shields, tourist shops sell a T-shirt that shows Chief Joseph, Sitting Bull, Geronimo, and Red Cloud and labels them “The Original Founding Fathers,” and also one that reads, in star-spangled letters, “Welcome to America Now Speak English.”

Diese Geschichte stammt aus der September 23, 2019-Ausgabe von The New Yorker.

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Diese Geschichte stammt aus der September 23, 2019-Ausgabe von The New Yorker.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.