The legacy of Scotland’s best-loved designer transcends the tragedies of his life and greatest work
BREAKING out almost exactly four years later to the day, last month’s devastating second fire at Glasgow’s famous School of Art has spectacularly marred this 150th anniversary year of the designer and architect Charles Rennie Mackintosh. The public outpouring of grief on both occasions was and is profound and testifies to the real sense of loss that is felt in relation to one of Glasgow’s most iconic buildings and flagship educational institutions.
The silence, instead of the customary inner-city buzz, that now surrounds the site at Garnethill is disturbing. People stop at the edge of the cordon to view the shell—while it still stands—and move on. It is an exhibition of an unscheduled and unwelcome sort, which seems to mock the increasingly dynamic rehabilitation of Mackintosh and his legacy in his home city.
The contrast on entering another beloved Glasgow institution, Kelvingrove Art Gallery and Museum, could not be greater. Here is the city’s centrepiece for the celebratory year and the most ambitious Mackintosh-themed exhibition for more than 20 years.
Diese Geschichte stammt aus der July 19, 2018-Ausgabe von Country Life UK.
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Diese Geschichte stammt aus der July 19, 2018-Ausgabe von Country Life UK.
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