“It was a little bit more challenging than I expected,” says Eggers, meeting Empire in London. “I knew that it was going to be challenging, and I also knew that it was going to be more challenging than I could understand. And it was even a little bit more challenging than that.” He laughs, looking back at a production that was almost as demented off-screen as it is on. This, then, is the story of The Lighthouse, where, off-camera, the puking was kind of intentional and the crying wasn’t at all.
“IT’S JUST THE rats,” the director comments as we sit down, some ominous creaking going on beneath the floor. Eggers may be right — we’re in a posh hotel, but this is London where, they say, you’re never more than six feet away from a rat. Ye olde London is still here, if you look for it, which Eggers has been doing during his stay, particularly enthusing about his candle-lit visit to Dennis Severs’ House, the East End’s immersive recreation of an 18th century dwelling. “It’s one of my favourite places I’ve ever been to,” he says. “Things just recede into the shadows and you have to use your imagination.”
Diese Geschichte stammt aus der December 2019-Ausgabe von Empire Australasia.
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Diese Geschichte stammt aus der December 2019-Ausgabe von Empire Australasia.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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