GT: Do you have a type of guitar pick that you can’t live without? Make, gauge and why?
MT: Dunlop 1mm nylon - it’s been my go-to pick for most of my life. It just feels right to me after all of this time. Also it contributes to my tone a lot. I feel that tone can change from pick to pick, but with the nylon it stays pretty consistent. I am always experimenting but find myself coming back to that pick all of the time.
GT: If you had to give up all your effects pedals but three, what would remain on your board?
MT: My Morley wah because it’s my favourite pedal of all time. I mainly use it when playing leads. G-Lab Smooth Delay SD1 - I have had a ton of different delays but I love this tone. The layout and design of the pedal perfectly fits my needs live! A Handwired Tube Screamer TS808HW - I have done shootouts on many overdrive pedals and for me, this pedal always wins. It’s a personal tastes thing, of course.
GT: Do you play another instrument well enough to be in a band? And if so, have you ever done it?
MT: I have tracked bass in the past, so I think I could get away with playing bass. Vocals of course from my solo project. I wouldn’t be able to hang on the drum kit though!
GT: If a music chart were put in front of you, could you read it?
MT: Ummm... no. Haha!
GT: Do guitar cables really make a difference? What make are yours?
MT: They do make a difference. Longer cables are warmer, and shorter are brighter, or so I have been told by tone gurus! Mine are Mogami customs and Planet Wave cables. I have a custom mute switch on the main cable to my guitar because I don’t use a floor tuner live and this way it cuts the signal when I switch guitars.
Diese Geschichte stammt aus der November 2019-Ausgabe von Guitar Techniques.
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Diese Geschichte stammt aus der November 2019-Ausgabe von Guitar Techniques.
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THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
