LG’s DECISION TO call the new higher-brightness panels in its 2021 G1 OLED TVs ‘Evo’ seems a bit odd. LG’s regular annual OLED updates feel like evolutions; using a radically different panel design for the first time in years, like the G1 series does – with a new green layer for improved colour purity, and new high-efficiency materials to deliver a tangible brightness boost without using more power – feels more like a potential revolution.
On the OLED65G1, the Evo panel is housed in a ‘Gallery’ design similar to 2020’s GX range. This means it has a slim (2cm or so), flat profile specifically designed for wall hanging. There’s even a recess in the rear for the supplied super-slender wall mount to slot into, so that the TV’s back panel fits snugly against your wall. You can place the G1 on desktop feet or LG's tripod 'Gallery Stand', but these are optional extras.
Connection inspection
The forward-thinking when it comes to next-gen connections that LG started with its 2019 C9 OLED TVs continues with the OLED65G1. All four HDMIs can handle everything today’s new gaming sources can throw at them, such as 4K HDR at 120Hz refresh rates, Variable Refresh Rates (in AMD FreeSync, Nvidia GSync and HDMI 2.1 formats) and the Automatic Low Latency Mode (ALLM) that allows the TV to switch in and out of Game mode depending on source.
Diese Geschichte stammt aus der Spring 2021-Ausgabe von Home Cinema Choice.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der Spring 2021-Ausgabe von Home Cinema Choice.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming