BE BIASED
This might sound counterintuitive if you’ve ever been in a cinema, but it’s not a good idea to watch TV in the dark. The reason is simple: eye fatigue. A TV has significantly more light output than a projector, so in a blacked-out environment, as the image constantly changes brightness, your pupils end up working overtime. Bias lighting is an easy and affordable solution to this particular AV problem. In essence, all you need to do is add a light source behind your TV, creating a more comfortable viewing experience without causing reflections on the screen. As an added bonus, it also improves perceived contrast – handy if your TV’s black levels are more of a dark grey. Depending on your TV install you could just place a lamp behind it, but if you fancy a tidier solution, or if your TV’s wall-mounted, attaching white LED strips to the rear is a winner. For a slightly bigger outlay, companies like MediaLight offer all-in-one LED bias lighting solutions that are measured precisely to D65 colour temperature. Owners of Philips' Ambilight TVs (pictured) can select the ISF Ambilight mode for a neutral D65 bias light – rather than the brand's dynamic coloured lighting effects.
NETWORK SMARTER
These days your AV system can live or die by the quality of your home network. Having a fast, reliable connection is paramount, but all too often congestion and poor Wi-fi reach can conspire to make life a buffering nightmare. There are several steps you can take that will transform your streaming media experience.
Diese Geschichte stammt aus der Xmas 2020-Ausgabe von Home Cinema Choice.
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Diese Geschichte stammt aus der Xmas 2020-Ausgabe von Home Cinema Choice.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
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Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming