When you open Rebelle, you have a complete art studio in front of you with all the possibilities to let your creativity run wild. All media and tools are ready, whether it’s watercolour, oil or acrylic, or dry media tools. You just have to select the appropriate surface, choosing between different canvas textures and papers, hot or cold pressed, rough or fine, handmade or exotic. With the right brushes and tools that you can customise to your needs in many ways, you’re ready to go, the paint never runs out.
Over the years Rebelle has become more and more my go-to software when it comes to digital painting. With the new Rebelle 5, Escape Motions has managed to set a milestone in digital painting with its new Pigment Technology. Until now, in Rebelle as in any other painting software, I had the problem that when mixing colours, they tended more and more to grey; the images ended up looking grey and dull, and I then had to use filters and effects to try and freshen up the colours. I think this is a problem that every digital painter knows. With the new Pigment Technology in Rebelle 5, mixing colours is pure joy. The colours blend as you would expect in traditional painting and are brilliant and vibrant. Even mixed greys are bursting with energy and vibrancy.
1 My settings in Rebelle 5
Diese Geschichte stammt aus der April 2022-Ausgabe von ImagineFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Diese Geschichte stammt aus der April 2022-Ausgabe von ImagineFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world
