In 2016, Pune-based producer ritviz srivastava (who goes by his first name) received a melody loop from desi bass king Nucleya and there was only one thing on the young artist’s mind. Ritviz says, “All I could think about was, ‘How do I blow his mind right now?’”
He took that 10-second loop, worked on it for a day and sent Nucleya back half a song. Ultimately, the song might have been shelved, but it established a rapport between the two producers that’s now culminated into a joint album. Ritivz adds, “We’ve exchanged many ideas over the years and it’s been so epic because both of us have such uniquely distinct sounds and styles and seeing them merge and take shape has been so much fun. We really got down to working properly on this album around a year ago when I moved to Goa.”
Diese Geschichte stammt aus der August 2021-Ausgabe von RollingStone India.
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Diese Geschichte stammt aus der August 2021-Ausgabe von RollingStone India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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