NOTHING STAYS DEAD for long in Hollywood. The 2002 Resident Evil movie, based on the popular Capcom videogames of the same name, spawned five sequels, with the 2016 instalment serving as the final chapter for the adventures of protagonist Alice (Milla Jovovich). Five years later, director and screenwriter Johannes Roberts (Storage 24, The Strangers: Prey At Night) is resurrecting the franchise with Resident Evil: Welcome To Raccoon City. This reboot will, however, take a different direction from the previous iterations, trading elaborate action sequences for scares and atmosphere – and with Alice nowhere in sight.
“I was super-passionate about doing the game,” Roberts tells SFX. “I had a lot of fun with the previous franchise, but this has nothing to do with that. That was a separate thing, its whole own entity, with Paul [WS Anderson] and Milla. These fantastic games had never really been tackled. It was a huge part of my growing up. It was an interesting time when games were becoming scary and cinematic. It was like, ‘Oh. Let’s do horror. Let’s do the first two games. Let’s do the mansion. Let’s do the police station’.
“Robert Kulzer, the head of Constantin Film in America, and I were very intrigued with what was happening in America at the time, which we felt was relevant,” he continues. “We used the Flint water crisis [where the city’s drinking water became contaminated with lead] as a good storytelling point. It’s smalltown America dying and we used that as the underpinning of the story.”
Diese Geschichte stammt aus der December 2021-Ausgabe von SFX.
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Diese Geschichte stammt aus der December 2021-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS