It’s been over 40 years since Bruce Campbell and his friend Sam Raimi went to a remote cabin in Tennessee to make a scary movie. The Evil Dead became one of the greatest horror films ever made and cemented Campbell as one of the genre’s icons. Now he’s returned to the horror-comedy genre he perfected in Evil Dead 2 with Black Friday, which sees him trapped in a store attacked by possessed shoppers during a post-Thanksgiving sale.
Looking back at your career, what are you proudest of?
That I’m not dead! That I’m still working. 2021 was a very busy year, even 2020 was a busy year. I’m proud that I haven’t gone away, which is great because I don’t have any other skills, so I have to stick within my wheelhouse if I want to support my family.
What is your relationship to your fandom?
I go to conventions all the time – they have really expanded over the years and I just keep expanding with it. That desire to meet the people who work on these shows has really reached a fever pitch. When I was a kid, there was no place to go meet William Shatner but now if you want to go meet Norman Reedus from The Walking Dead, you can pretty much do it. Fandom is a very interesting thing, and now with access it’s become even stronger.
Does that following afford you freedom in your career?
I tend to be fairly psychotic with what I do! I just did a Christmas Hallmark movie. I just put out a new book called A House Divided – it’s a political satire – and I started a publishing company.
Diese Geschichte stammt aus der February 2022-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der February 2022-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS