GEORGE ORWELL’S PRESCIENT political satire Nineteen Eighty-Four is widely regarded as one of the most important novels of the 20th century. Winston Smith’s struggle for freedom continues to make a cultural impact: even those who haven’t read the book are familiar with the name of its paternal figurehead Big Brother, and the word “Orwellian” has long since become a catch-all description for any dystopian nightmare.
BBC producer Rudolph Cartier had first-hand experience of the type of totalitarian state depicted in Orwell’s book. Cartier was born in Vienna in 1904, and studied with Max Reinhardt at the Academy of Music and Dramatic Art. He moved to Berlin in 1929, but interrupted a promising career as a scriptwriter when Hitler seized power. Along with colleagues such as Fritz Lang and Billy Wilder, Cartier left Germany in 1933. He returned to Vienna, but the rise of fascism compelled him to move to England, which he made his home in 1936. His career languished until a chance meeting with a literary agent led to an appointment with Michael Barry, BBC Television’s Head of Drama. “Arrow To The Heart”, Cartier’s adaptation of a German novel, was transmitted in July 1952, and marked the beginning of 23 years of continuous employment for the Corporation.
In 1953 Cartier produced and directed the original television version of The Quatermass Experiment. This was his first collaboration with BBC staff writer Nigel Kneale. Born on the Isle of Man in 1922, Kneale attended RADA before the Somerset Maugham Award for his 1949 short story collection Tomato Cain secured his future as a writer. He joined the BBC in 1951.
Diese Geschichte stammt aus der May 2022-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der May 2022-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS