GOLDEN CANDELABRAS, satin tablecloths, a tattered Encyclopaedia Britannia dating back to 1910… SFX is surrounded by beautiful things right now. Our favourite: a kleptomaniainducing, Antiques Roadshow esque lamp with stained glass dragonflies and sculpted fairies at the base.
At a glance, the Spellman residence – home to the titular teen on Netflix’s Chilling Adventures Of Sabrina – is a hipster millennial’s dream house come to life. Which, for some, is nightmareinducing enough. But on closer inspection ghastly touches abound: from flayed faux-lizard fans in the lounge to a jar of “adder skin” in the kitchen. (SFX recoils on discovering that they’re actually bits of pickled cauliflower).
In the embalming room – Casa Spellman doubles up as a family-run mortuary, naturally – Miranda Otto points out “coyote eyeballs” with a chuckle. Otto, who plays family matriarch Zelda, is giving us a tour of the set, which is just outside of Vancouver.
Scarier than all this, however, is the fact that this elaborate set is set to vanish soon. In July, Netflix announced that Sabrina would (somewhat prematurely) end after part four. A passionate, fan-driven campaign to reverse the decision followed, but to no avail.
BEING DOUBLE
Technically, Sabrina spans only two seasons. But thanks to its pace and unique structure – each season is split into two binge-friendly “parts” – the show has made an outsized mark. It’s certainly been a trip for Sabrina (Kiernan Shipka), whose journey from precocious schoolgirl to rule-breaking half-witch to Queen of Hell and time-travelling, irrepressible wonder woman has been so not your typical tale of late adolescence.
Diese Geschichte stammt aus der Holiday Special 2020-Ausgabe von SFX.
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Diese Geschichte stammt aus der Holiday Special 2020-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
