I WAS AT A PRE-SCREENING OF SHAUN OF THE Dead and two of the film’s producers came up to me and said, ‘We have your next movie’,” remembers director Edgar Wright. “They had the rights to this new comic book and thought it was right up my alley – they said it was like a cross between John Hughes and Kill Bill.”
It’s been a decade since Wright crossed paths with Scott Pilgrim, the slacker hero of Canadian cartoonist Bryan Lee O’Malley’s graphic novel series, which follows a guy forced to battle his new girlfriend’s seven evil exes. The British director behind cult series Spaced had already taken a bite out of the big screen with 2004’s rom-zom-com, swiftly followed by 2007’s police actioner Hot Fuzz. However, with a new decade looming, he was keen to move into something more ambitious.
“I loved the premise, Bryan’s artwork and his way of writing young characters and their dialogue,” Wright tells SFX, as Scott Pilgrim Vs The World turns 10. “There was also this overriding idea that was in some of my other work: of characters relating to their own emotional struggles through the pop culture they consume,” he adds. “Scott’s playing his life like it’s a videogame, and ultimately has to learn that you can’t treat people like they’re shiny objects on your solipsistic quest. That really appealed to me.”
Diese Geschichte stammt aus der January 2021-Ausgabe von SFX.
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Diese Geschichte stammt aus der January 2021-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
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PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS